One of my last written PROJECTS was "One", from 2010. I just got out of Long Beach Mental Hospital, and... I just wanted to GO. My mother and father were targets (definitely), I wasn't a big Sha-leik/Corpy fan... so much rage I stored up, and even though I did A LOT of writing when I first got institutionalized, I felt my anger was fuel enough to go in the booth and DO IT. "One" doesn't get spoken of often, but when it is, it's considered one of my best joints. I'm willing to bet it'll get a Robotnik on the StarCHaser Central Podcast, because the sound was abnormal.
As I was writing "One", it became difficult to hold the pen. Time passed, and it became impossible to sit down and write. More time passed, and I was formulating songs/rhymes in my head, and didn't have time to write them down. It was so much stuff. Nevertheless, I got out, recorded "One" and SEVERAL projects where I DIDN'T write. Somewhat due in part to S.K.E. the Heistman, but I definitely felt like it was time to exercise the same freestyle skills you hear on the radio, in the booth.
Like I said. I already know what's "missing" from the non-written projects. The hyper-usage of syllables and the witty similes. I do appreciate a good seven-syllable rhyme pattern, but I kinda outgrew it. I know y'all like it, but... it's boring to me now. Even Fabolous enhanced his "punchline" game. But if one is stuck in the need for entertainment and received such by/with me bustin' my brain for punchlines/syllables/etc., you'll say I fell off.
Battle me then.
I can now do what I want on the mic/with a pen. And it all boils down to, "do I want to further release music?" I already dropped StarCHaser acclaimed music on streaming. There's a few more projects I can put on streaming to quiet the stomach rumblings. But the music that makes/made me happy gets BUTCHERED by y'all, so I may just keep it all to myself.
With that said, new music soon.
#nowarning
-so mote it be
